A beautiful depiction of age and beauty

New Years eve I went along to take part in a annual tradition of seeing the BP Portrait Award exhibition in the National Portrait Gallery in Edinburgh.

Tony_gallery+shot_1

[images online] Available at: http://www.jelenabulajic.com/works-radovi/tony-gallery [Accessed 1st January 2015]

Each year offers something new and some portraits, of real intimacy and empathy with the sitter.  This year there is an extraordinary portrait by Jelena Bulajić’s a Serbain artist, which towers over you as you walk into the exhibition. It carries the simple title ‘Tony’.

Tony

Bulajić, J, Tony, 2013, 270 x 200cm, mixed media on linen [images online] Available at: http://www.jelenabulajic.com/works-radovi/tony [Accessed 1st January 2015]

It has a sheen like marble with the layers of smooth wax on it, the layers of wax add a depth and a translucent quality to this beautiful portrait.

The below image is a detail of the portrait of ‘Tony’, the lines remind me of contours on a map, the way the depth of them has been captured and yet a softness to them as well, marking out the rugged landscape of life.

Tony_detail

Bulajić, J, Tony detail, 2013, 270 x 200cm, mixed media on linen.[images online] Available at: http://www.jelenabulajic.com/works-radovi/tony-detail [Accessed 1st january 2015]

Taking a note, I wanted to see more of her work . Jelena Bulajić’s  work brought more than I can imagine to my senses as I viewed more of her amazing portraits. I invite you to look at these images, and notice what thoughts are provoked as your drawn into the details of the paintings.

Marie-Therese

Bulajić, J, Marie-Therese, 2013, 270 x 200cm, mixed media on linen. [images online] Available at: http://www.jelenabulajic.com/works-radovi/marie-therese [Accessed 1st january 2015]

When looking at these portraits it feels as though I am looking at the real person, every mark, line, hair counted for, the attention to detail beautiful yet not overwhelming. They are for me an image that can speak a thousand words, a reflection of life and the beauty of age.

Grozda

Bulajić, J. Grozda, 2014 320x 237cm , mixed media on linen. [images online] Available at: http://www.jelenabulajic.com/works-radovi/grozda [Accessed 1st January 2015]

Although Bulajić’ is not the winner of this year award, she is certainly an artist to watch develop and she won over my curiosity as soon as I walked in through the door.

References

John Byrne Exhibition

14983051529_cd1af6e3a8

Photograph taken before entering exhibition

I first came across John Byrne whilst working at one of his previews a few years ago in Edinburgh. I remember as I poured drinks for the guests  it was clear that John Byrne was a man full of life and character, from the way he dressed to the way he conducted himself amongst others. He captured my imagination as did his art work.

Sunday I visited the Scottish National Portrait Gallery  to see his show ‘Sitting Ducks’, a retrospective of his work spanning 50 years.

The exhibit seemed bigger than the room, the people he had captured were full of life and rich in depth and colour. His self portraits, appeared to ooze out of the frame and draw you in closer to see the fine brush work and invite you to look into his eyes. I wondered what thoughts are happening when he is creating a self portrait, what story is being conveyed and if the portrait could talk what would it say.

363843963_a8b71bc54d

Byrne, J,  Me and Myself  (nd)48 x 36 inches, oil on board, private collection.[images online] Available at:https://www.flickr.com/photos/sweetpeaillustrations/363843963/ [Accessed October 8th 2014]

ea67315799d9b30fef2ba4f5269118b9

Byrne, J, Self Portrait, (nd) oil on board. [Images online] Available at: https://www.flickr.com/photos/sweetpeaillustrations/349200796/ [Accessed 4th october 2014]

I came away thinking how to create stories and characters full of life, characters that will come out of the page, invite the reader/viewer in and engage them in the process of the story and to caret a relationship with the characters portrayed in the story. John Byrne’s work for me is an example of studying the finite details on his sitter or himself, knowing every mark every line and creating a work where it feels it is not just an artwork but a story contained within frame. 

John Byrne spoke of his work and the importance of self examination and of others  in a video interview for the National Galleries of Scotland (2014)

“What do you think when you get up in the morning or what do you think when you go to bed? You never sort of quiz yourself and you’ve got the means to do that, forensic examination of your psyche and your exterior and what that exterior contains. It contains so much wonderful and marvellous things. People seem to skip over that quite lightly, the appearance of people and that’s your outward face to their world, I cannae imagine why it doesnae intrigue everybody. What you have to do is capture the spirit of the person you’re drawing and I can see the spirit of all of them.” (Byrne 2014)

Capturing the viewer/readers imagination through depiction of characters is a clear defined area for my work and as my thoughts turn to the the presence of text the relationship with the image or how the image works in the absence of text, I can see this becoming a interesting and exciting journey.

References

  • National Galleries Scotland,(2014) John Byrne Film

    [online] Available at://www.nationalgalleries.org/whatson/exhibitions/john-byrne/john-byrne-film [Accessed 8th october 2014]